By Antonia Fraser
France’s beleaguered queen, Marie Antoinette, wrongly accused of uttering the notorious “Let them devour cake,” was once the topic of ridicule and interest even sooner than her demise; she has in view that been the article of discussion and hypothesis and the fascination so frequently accorded tragic figures in historical past. Married in mere girlhood, this primarily lighthearted, privileged, yet in a different way unremarkable baby was once thrust into an unprecedented time and position, and used to be commanded via condition to play an important function in heritage. Antonia Fraser’s lavish and fascinating portrait of Marie Antoinette, some of the most recognizable ladies in ecu background, excites compassion and regard for all features of her topic, immersing the reader not just within the coming-of-age of a swish lady, but in addition within the unraveling of an period.
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Extra resources for Marie Antoinette: The Journey
The Dauphine’s pleasure used to be so nice that she by no means stopped speaking to the composer as long as he remained; in each means, together with musically, the Chevalier used to be a hyperlink with domestic. Marie Antoinette was once quickly receiving Gluck “at all instances” and he may possibly definitely be convinced of her attendance if and whilst he provided his new opera Iphigénie en Aulide in Paris. Gluck definitely had want of the Dauphine’s help because the new, uncomplicated, emotionally restricted but fervent form of the opera that Gluck was hoping to introduce met with little favour upfront from the French creative international. He had expected this. “There might be massive opposition,” Gluck wrote at the eve of his departure for Paris, “because it is going to run counter to nationwide prejudices opposed to which cause isn't any defence. ” The composer’s equipment of practice session didn't support to delicate issues over. “Blunt and quick-tempered,” he didn't deal with the star-system. He advised Sophie Arnould, who sought after nice arias rather than perpetual recitative in her position of Iphigénie: “To sing nice arias, you should know the way to sing. ” For the place nationwide prejudices have been involved, Gluck himself was once no suggest exponent; he used to be overheard announcing at a dinner party that the French couldn't sing, and that the one aspect of being in France used to be to generate profits. He quarrelled with the dancer Gaëtan Vestris who desired to finish the opera with a ballet, as used to be common. “A Chaconne! A Chaconne! ” cried Gluck. “We needs to recreate the Greeks; and had the Greeks Chaconnes? ” Vestris, studying to his shock that they didn't, retorted with a few spirit: “So a lot the more serious for them. ” As envisioned by means of Gluck, patriotism was once in part chargeable for this adverse response. “Their French self-importance used to be sorely wounded to study some of these issues by way of a Teutonic master,” wrote Mannlich, who as court docket painter to the German Duke of Zweibrücken had his personal awl to grind. The French had a traditional partiality for his or her personal previous composers akin to Lully, opera director to Louis XIV, and Rameau, ennobled via Louis XV; additionally they had a liking for the modern Italian composer Niccolò Piccinni because it used to be more straightforward to bend to “the yoke of an Italian. ” the problem used to be additionally combined up with court docket faction. kin among the Du Barry and Marie Antoinette existed at this aspect in a country of barbed neutrality. From the Dauphine’s viewpoint she needed to post with the location, on account that “the woman” couldn't be dislodged. This didn't suggest, for instance, that she needed to settle for the Du Barry’s gracious provide of a few diamonds. The Dauphine answered that she had diamonds adequate. Now the Du Barry used to be persuaded that espousing the reason for Piccinni might permit her to inflict another defeat at the Dauphine and so she duly took it up. It used to be acknowledged that she carried her investigations in pursuit of the vendetta to the measure of attending a practice session of Iphigénie hid at the back of a grille. For some time, it seemed as though musical issues have been going the best way of the Du Barry. there have been philistines who persisted to loathe the alien sounds of Gluck, even supposing now not each person went so far as the English Lord Herbert, traveling Paris, who might describe his track as “worse than 10000 Cats and canines howling.