By Connie Furr Soloman, Jan Jewett
Liberace Extravaganza! by means of award-winning dress designers Connie Furr Soloman and Jan Jewett is a luxurious reveal of the well known entertainer’s fabulous and over-the-top costumes.
No one could ever accuse Wladzlu Valentino Liberace of being demure. The across the world celebrated megastar is sort of besides identified for his crowd pleasing, flamboyant model as he's for his music.
Authorized by way of the Liberace origin, Liberace Extravaganza! good points one hundred fifty full-color photos of his particular clothing, 20 unique drawings from Liberace’s designers’ sketchbooks, behind-the-scenes tales from a few of his so much depended on couturiers and neighbors, and a foreword from Michael Travis, Liberace’s precept designer.
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Additional info for Liberace Extravaganza!
The fold-over collar is light purple gabardine and labored vertically with silver bugle beads stitched in a zigzag trend and headquartered with crystal lochrosens. Tiffany-mounted crystal rhinestones and big, teardrop-shaped, sewn-on jewels part the collar at once above a row of small silver seed beads. The cape is closed I with a silver clasp. hooked up lower than the collar at heart entrance are forty-inch pale-pink gabardine ropes. The ropes are embroidered with a row of AB transparent sequins and zigzag rows of silver bugle beads set at their facilities with crystal lochrosens. The trend maintains down and round the ropes and ends with a fox fur pom-pom dyed gentle red. The crimson silk chiffon lining is Cornelli-machine sequined with thousands of rows of purple sequins stitched in a chevron trend. Christmas • Seventies * * * gown layout by way of Michael Travis Liberace first wore this festive red-and-white dress in 1980 on the Las Vegas Hilton in the course of Christmas season. It was once worn back in the course of his performances in 1985 at Radio urban song corridor and his final functionality ever, which was once in 1986 at Radio urban track corridor. The gown is also noticeable on his 1981 Christmas card. created from crimson polyester gabardine, the dress includes cape, tailcoat, and jumpsuit, white blouse and collar, amassed cuffs, and a bow tie. using a moiré-style development, the tailcoat is beaded total with purple bugle beads, Siam crystal lochrosens, and Siam crystal, navette-shaped sewn-on jewels. The coat edges, lapels, cuffs, collar, pocket flaps, shoulders, and again yoke have flame-like motifs which are appropriate with the tree limb patterning stumbled on at the cape. those are labored stable in milk-white and silver bugle beads, growing an appliqué influence. On best of the flames are crystal lochrosens and sewn-on jewels. numerous crystal lochrosens also are scattered one of the flames. The coat’s outermost edges are accomplished with a row of silver bugle beads and a row of silver seed beads. The jacket is closed with crystal rhinestone buttons and a pink beaded-and-stoned tab situated among them. the heart again of the tailcoat is completed with crystal rhinestone buttons on the waist. The matching pants and vested jumpsuit gets an identical purple bugle bead and Siam crystal jewel and lochrosen patterning because the coat. The vest is outlined via outlines of milk-white and silver bugle beads and crystal lochrosens. Extending down the skin of every leg is a large band of Tiffany-mounted crystal rhinestones. The densely ruffled jabot and removable cuffs are pleated chiffon edged in transparent sequins. A white blouse with a banded collar and a wide satin bow tie, that is accented with a rhinestone brooch, also are worn with the dress. Matching boots via Di Fabrizio repeat using purple bugle beads. Flames expand up from the ft, utilizing a similar white bugle beads, crystal lochrosens, and sewn-on jewels as are discovered in other places at the dress. The heels are set strong with rim-set crystal rhinestones. Liberace making a song. Christmas Cape • Seventies * * * dress and fur layout via Michael Travis and Anna Nateece the large red-and-white gabardine cape has a small educate in again.