No nineteenth-century composer had extra various ties to his modern international than Franz Liszt (1811-1886). At a number of issues in his lifestyles he made his domestic in Vienna, Paris, Weimar, Rome, and Budapest. In his roles as keyboard virtuoso, conductor, grasp instructor, and abbé, he reinvented the live performance event, complex a revolutionary schedule for symphonic and dramatic song, rethought the chances of church track and the oratorio, and transmitted the principles of recent pianism.
The essays introduced jointly in Franz Liszt and His World boost our figuring out of the composer with clean views and an emphasis on old contexts. Rainer Kleinertz examines Wagner's enthusiasm for Liszt's symphonic poem Orpheus; Christopher Gibbs discusses Liszt's pathbreaking Viennese live shows of 1838; Dana Gooley assesses Liszt opposed to the backdrop of antivirtuosity polemics; Ryan Minor investigates cantatas written in honor of Beethoven; Anna Celenza bargains new insights approximately Liszt's adventure of Italy; Susan Youens indicates how Liszt's songs have interaction with the modernity of Heinrich Heine's poems; James Deaville seems to be at how publishers sustained Liszt's acceptance; and Leon Botstein explores Liszt's function within the transformation of nineteenth-century preoccupations concerning faith, the country, and art.
Franz Liszt and His World additionally contains key biographical and important records from Liszt's lifetime, which open new home windows on how Liszt was once considered via his contemporaries and the way he needed to be considered by way of posterity. Introductions to and commentaries on those files are supplied through Peter Bloom, José Bowen, James Deaville, Allan Keiler, Rainer Kleinertz, Ralph Locke, Rena Charnin Mueller, and Benjamin Walton.
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Additional info for Franz Liszt and His World (The Bard Music Festival)
Yet what starts off as a regimen account of a soirée in the house of Julia Pahlen-Samoyloff quickly digresses right into a dream series. forty seven Leaving the chaos of “reality” within the Milanese ballroom, Liszt ventures into an unknown panorama, a fantastical realm that's in actual fact situated in his Republic of the mind's eye: I left the ballroom and went looking for a secluded, unoccupied nook the place i may be on my own . . . I sat down in a major armchair whose black carvings and Gothic kinds carried my mind's eye to a prior age, whereas the odor of the unique plants conjured up photographs of far-off climes. i don't recognize if my mind's eye . . . triggered me to determine a startling, supernatural apparition. All i do know for definite is that I in a short time misplaced all feel of fact, all feeling for time and position, and i all at once stumbled on myself wandering on their own in an unknown land on a abandoned seashore beside a stormy sea. forty eight Trapped in the course of this desolate panorama, Liszt discovers that he's now not on my own. sooner than him is “a pensive determine . . . strolling alongside the sand. ” He was once nonetheless younger, even supposing his face used to be light, his glance excessive, and his cheeks haggard. He stared on the horizon with an indescribable expression of tension and wish. A magnetic strength drew me after him. . . . The farther I went, the extra it appeared to me that my life used to be associated with his, that his breath lively my existence, that he held the key of my future, and that we, he and that i, needed to merge with and rework one another. . . . “Oh, whoever you are,” I cried, “. . . [you], who has interested and brought entire ownership of me, inform me, who're you? the place do you come back from? the place are you going? what's the reason behind your trip? What are you looking? the place do you relaxation? . . . Are you a condemned guy less than an irrevocable sentence? Are you a pilgrim packed with wish eagerly touring to a relaxed, holy position? ”49 long ago, students have refrained from deciding on this pensive determine. I suggest that he's none except Childe Harold himself, as he seemed within the early stanzas of Canto I: And now Childe Harold was once sore ailing at middle, And from his fellow bacchanals might flee; ’Tis acknowledged, from time to time the sullen tear may commence, • 15 • LISZT, ITALY, AND THE REPUBLIC OF THE mind's eye yet delight congeal’d the drop inside his e’e: aside he stalked in joyless reverie, And from his homeland resolved to head, And stopover at sizzling climes past the ocean; With excitement drug’d he virtually long’d for woe, And e’en for swap of scene could search the colors lower than. 50 Liszt’s apparition holds “an oddly formed musical device whose vivid, metal end shone like a replicate within the rays of the surroundings sunlight. ” this can be additional facts that the stranger is Childe Harold, for he too carried a harp while he first set sail on his pilgrimage: but if the solar was once sinking within the sea He seized his harp, which he now and then might string, And strike albeit with untaught melody, while deem’d he no unusual ear was once listening: And now his finger o’er it he did fling, And tun’d his farewell within the dim twilight.