Contemporary French Art 1: Eleven Studies. (Faux Titre) (v. 1)

Ben Vautier, Niki De Saint Phalle, François Morellet, Louise Bourgeois, Alexandre Hollan, Claude Viallat, Sophie Calle, Bernard Pagès, Jean-Pierre Pincemin, Annette Messager, Gérard Titus-Carmel: 11 significant French artists of the final 40 years or so, tested within the gentle in their specialty and their rootedness, the specificities in their differing and from time to time overlapping plastic practices and the swirling and infrequently hugely hybridised conceptions entertained in regard to such practices. therefore does research variety from dialogue of the feisty, Fluxus-inspired, free-spirited funkiness of Ben Vautier’s paintings to some of the modes of transcendence of trauma and haunting worry generated through the phenomenal gestures of Niki de Saint Phalle and Louise Bourgeois, to the alyrical formalism but imbued with irony and ludicity of François Morellet, via to the serene intensities of Alexandre Hollan’s vies silencieuses, the countless a-signatures of Claude Viallat’s event within the sheer pleasure of a poiein of self-reflexive shade, the powerfully stylish and muscular disarticulations of Bernard Pagès’ sculpture, the nice sweep via art’s historical past implied via Jean-Pierre Pincemin’s chameleon-like gestures, the massive swirling programme of socio-psychological research the humanities of Annette Messager and Sophie Calle supply of their greatly particular manners, the obsessively serialised oeuvre of Gérard Titus-Carmel permitting a burrowing deep into the opaque common sense of a true even though doubtful ‘presence to the world’.

Show description

Quick preview of Contemporary French Art 1: Eleven Studies. (Faux Titre) (v. 1) PDF

Similar Art books

Typosphere: New Fonts to Make You Think

Typosphere is a accomplished consultant for typographers and photograph designers who're thinking about the most recent font designs and their use in editorial layout. The booklet is split into varied chapters: competitive, humorous, Nostalgic, power, Playful, chuffed and Calm. With a variety of genuine typographical designs, the reader can't in simple terms detect the designs of latest typographies, yet may also discover the impact created once they look at the web page.

Newspaper Blackout

Poet and cartoonist Austin Kleon has stumbled on a brand new option to learn among the traces. Armed with an everyday newspaper and an enduring marker, he constructs via deconstruction--eliminating the phrases he doesn't have to create a brand new paintings shape: Newspaper Blackout poetry.

Highly unique, Kleon's verse levels from provocative to lighthearted, and from relocating to hysterically humorous, and surely pleasing. the most recent creations in an extended historical past of "found art," <em>Newspaper Blackout</em> will problem you in finding new that means within the widely used and suggestion from the mundane.

<em>Newspaper Blackout</em> comprises unique poems through Austin Kleon, in addition to submissions from readers of Kleon's well known on-line web publication and a convenient appendix on the right way to create your personal blackout poetry.

Christian Art: A Very Short Introduction (Very Short Introductions)

This Very brief advent decodes the foremost issues, symptoms, and emblems present in Christian artwork: the Eucharist, identical to the Crucifixion, the Virgin Mary, the Saints, outdated and New testomony narrative imagery, and iconography. It additionally explores the theological and historic history of Christian imagery, from the devotional works of the Medieval and Renaissance sessions, to the twenty-first century.

The Collective Memory Reader

Within the previous few a long time, there are few innovations that experience rivaled "collective reminiscence" for cognizance within the humanities and social sciences. certainly, use of the time period has prolonged some distance past scholarship to the world of politics and journalism, the place it has seemed in speeches on the facilities of energy and at the entrance pages of the world's prime newspapers.

Extra info for Contemporary French Art 1: Eleven Studies. (Faux Titre) (v. 1)

Show sample text content

Hindry, Anne. “Gérard Titus-Carmel: une peinture sans trêve”, in Gérard Titus-Carmel (Fécamp, 1992). Hollan. L’expérience de voir. Budapest: Fovarosi Keptar, 2003. Hollan, Alexandre. Je suis ce que je vois. Cognac: Le Temps qu’il fait, 1997. ___. Je suis ce que je vois, 2. Cognac: Le Temps qu’il fait, 2006. ___. Ecritures d’arbres. Saint Clément: Fata Morgana, 2002. ___. Le chemin des arbres. Musées de Sens, 1995. Honnef, Klaus. “Le bonheur illustré”, in Annette Messager. Comédie tragédie 1971-1989. Hopkins, David. After sleek artwork, 1945-2000. OUP, 2000. Horwich, Paul. Reflections on which means. OUP, 2006. modern French paintings 1 183 Huitorel, Jean-Marc. “La nonchalance intransigeante de Jean-Pierre Pincemin”, in Jean-Pierre Pincemin: Dérive des continents. Hulten, Pontus. “Bersten”, in Niki de Saint Phalle, Monographie. ___. “Préface”, in Saint Phalle’s Tableaux éclatés. Hunter, Simeon. “Surgissant de los angeles poussière”, in In Situ. Bernard Pagès. In Situ. Bernard Pagès. ORC Champagne-Ardenne, 1999. Jean-Pierre Pincemin. Paris: Galerie Jacques Bailly, 1990. Jean-Pierre Pincemin, façons de voir, manières de décrire. CAC de Saint-Priest, 1993. Jean-Pierre Pincemin: Dérive des continents. Galerie Municipale de Brest, 1994. Jean-Pierre Pincemin: Gravures 1971-1997. Musée de l. a. Cohue/ Somagy, 1998. Jean-Pierre Pincemin. Centre culturel et artistique d’Aubusson/Paris: l. a. Différence, 2000. Jourdan, Patrick. “Postface”, in Titus-Carmel (Editions Palantines). Krauss, Nicole. “Ben Vautier at John Gibson and Zabriskie”, in artwork in the US (July, 1999). Krempel, Ulrich. “Die politischen Weltbilder der Niki de Saint Phalle”, in Niki de Saint Phalle. Monographie. Kristeva, Julia. “Au on line casino, ou remark une femme joue los angeles situation humaine”, in on line casino: Annette Messager. Lamarche-Vadel, Bernard. observe, in Je cherche los angeles vérité (Vautier). ___. “Pincemin-Paysage”, in Jean-Pierre Pincemin (Galerie Jacques Bailly). ___. Jean-Pierre Pincemin, Paris: Christian Bourgeois, 1980. Lascault, Gilbert. “Le bariolé, l’hétérogène, l’échevelé”, in Bernard Pagès. Sculptures et ensemble mural. Lawless, Catherine. Interview with Claude Viallat, in Claude Viallat (Clermont Ferrand). Leighton, Angela. On shape. OUP, 2007. Lemoine, Serge. François Morellet. Paris: Flammarion, 1996. ___. “Avant propos”, in Annette Messager. Comédie tragédie 19711989. Levinas, Emmanuel. Alterity and Transcendence. Columbia UP, 1999. Lichtenstein, Jacqueline, and Jean-François Groulier. “Morellet ou les pouvoirs du neutre”, in Morellet (Jeu de Paume). 184 Bibliography Lillington, David. “Watching the Voyeur’s Voyeur [: Calle]”, in self reliant (15 March, 1992). Liu, Catherine. “Le jardin du tendre”, in Annette Messager. Comédie tragédie 1971-1989. Louise Bourgeois. lifestyles as artwork. Louisiana MOMA, 2003 Macel, Christine. “La query de l’auteur dans l’oeuvre de Sophie Calle. Unfinished”, in Sophie Calle, m’as-tu vue. Marcadé, Bernard. textual content in François Morellet, sculpteur 1949-1990 (Calais: Musée des Beaux-Arts, 1990). ___. Interview with Annette Messager, in Annette Messager. Comédie tragédie 1971-1989. Martin, François-René.

Download PDF sample

Rated 4.32 of 5 – based on 18 votes